Jewfem Blog

Adrienne Rich And Fixing Our “Half-Finished Houses”

[Cross-posted from The Jewish Week] Adrienne Rich  This week would have been the 85th birthday of Adrienne Rich, the Jewish feminist poet who died three years ago leaving behind a tremendous legacy of ideas and words that helped shape many people’s gender identities and inspired the work of feminist activism. Adrienne Rich narrated her life and our world through her poems. Her poetry chronicles her transformation from bored, repressed suburban wife to restless, passionate, lesbian feminist activist. Her descriptions of the inner lives of women – radically spoken at the time from a woman’s point of view – were revolutionary then and continue to resonate today. As women (and others) struggle to break free from societal expectations of gender, Rich’s voice gives power and credence to the process of social change and discovering freedom. She embodied the personal as political. She did not merely narrate feminism; she also urged it along with power and vision. Her impact on the evolution of the feminist movement can be felt in the many tributes to her since her death, which testify to the sometimes very personal ways in which her writing affected people, liberated women and often validated the desire to live fully and embrace their passions and identities. The Jewish Women’s Archive also paid tribute to her last month as part of Poetry month. Still, I think that in the Jewish world, her impact has perhaps not yet been fully actualized. We still have a lot to learn from her. Her poetry leaves signposts for Jewish feminist activists, bits of power and encouragement along the way. One poem that articulates the mission in a way that particularly relates to Jewish life is “The Roofwalker” (1961), where Rich wrote of the “half-finished houses”. She asks, “Was it worth while to lay--/with infinite exertion--/a roof I can't live under?/All those blueprints/ closings of gaps/ measurings, calculations?/A life I didn't choose/ chose me: even/my tools are the wrong ones/for what I have to do.” This resonates deeply with me, and possibly with others who are trying to make changes around gender within Jewish life. I also feel that the life chose me, of fixing the roof of the half-finished house that I am not sure I can live under. It is half-finished because Jewish women have not been fully able to make our mark on the culture. And the “measurings, calculations” remind me of all the Talmudic and halakhic discourse with which the Jewish house is built. There are other, better tools out there, and Rich reminds me to search for them and use them. Adrienne Rich also brilliantly revealed the ways in which gender oppression take place on the female body. In the poem "Tear Gas," she wrote "The will to change begins in the body not in the mind/My politics is in my body." Her book, “Of Woman Born,” goes even further in unpacking the myriad societal constructs around motherhood. Indeed, in Judaism the female body is at the center of incessant discourse and discord, as Jewish...

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